Regent’s Park Townhouse
We were delighted to provide our natural stone tiles and furnishings for a project that uses warm, neutral colours to create a warm, welcoming décor. We spoke to the architect to find out more.
Regent’s Park has long been considered one of London’s most desirable areas, attracting well-heeled residents from all around the world who appreciate its leafy surroundings and elegant period homes. One such residence was recently given a makeover by architectural firm Aurthur Casas who were entrusted with creating new interiors that were contemporary yet in keeping with the neighbourhood’s atmosphere and heritage.
Can you tell us in your own words a little about the project. What was the inspiration behind the design?
Our main goal for this interior renovation was to create a minimal atmosphere without “crashing” the heritage of its site. We choose calm colors, light wooden finishes, and a blend of off-white and cream textures.
Why did you choose Salvatori?
Salvatori is always a reference when searching for unique manufacturers in big cities such as London. It was our unique option to be honest.
What particularly appeals about the Salvatori products you chose?
The texture and the touch. Our client was amazed after visiting the showroom.
How did you find the experience of working with Salvatori?
Straightforward. It was professional and fast.
Is the client happy with the end result?
Yes. She believes the master bathroom is a masterpiece.
And, a final question that is a little off-topic, but are you happy to share your 10 favourite songs that you listen to when you’re designing or looking for inspiration?
1 - Nanã - Wilson Simonal
2 - Emoriô - João Donato
3 - Ponteio - Edu Lobo
4 - Canto de Xangô - Baden Powel, Vinicius de Morais
5 - April Child - Moacir Santos
6 - Corcovado - Antônio Carlos Jobim
7 - Pra que discutir com madame? - João Gilberto
8 - Aruanda - Wanda de Sah
9 - Tide - Antonio Carlos Jobim
10 - Wave - Antonio Carlos Jobim
Architecture: Studio Arthur Casas
Photography: Frederik Vercruysse
